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GEOMEDIA Check out the latest On the Web links, your connection to earth science friendly Web sites. The popular Geomedia feature is now available by topic. Museums: A Fresh Look at Dinosaurs in Their Time A Fresh Look at Dinosaurs in Their Time
Towering over an infant who is not much taller than the surrounding ground ferns, a mother Apatosaurus arches her neck to get a good look at the ravenous Allosaurus approaching from behind with an eye fixed on the young one. Swinging her tail in an effort to bring down the quick predator, the Apatosaurus spies another Allosaurus in the distance coming to serve as reinforcement in the attack. A stoic Stegosaurus, armed with a row of plates down its back and a spiked tail, watches impassively from the sidelines while a Diplodocus flees and a slight meter-tall Camptosaurus hides among the groundcover under a tall ginkgo tree. It’s just a typical day in the Late Jurassic of western North America, a scene that paleontologists at Pittsburgh’s Carnegie Museum of Natural History recreated with fossilized skeletons in the museum’s newly renovated dinosaur exhibition, Dinosaurs in Their Time, which opened Nov. 21. For the past few years, the Carnegie Museum has been updating and expanding the old dinosaur hall to improve its scientific accuracy and building life-size exhibits filled with fossils, artificial vegetation, reconstructed animals and elaborate murals that depict life in the Mesozoic Era — all in an effort to place the dinosaurs in the larger context of their ancient environments, allowing them to mingle with other creatures that lived during the Age of Dinosaurs. “We really wanted to take these fossils that before were standing on unadorned platforms … and put them in accurate reconstructions of their environments,” says Carnegie paleontologist Matt Lamanna, lead scientific advisor for the renovation. “If you imagine flesh on the bones … then you’re looking at what’s meant to be a snapshot in time.” If the new dinosaur hall is filled with “snapshots in time,” then the old one, like those in many current museums, was lined with dinosaur “portraits,” or rows of dinosaur skeletons standing in straight, static and usually scientifically inaccurate poses with no supporting cast of characters to provide visitors with any contextual clues on the lives these giants once led. Talk of renovation began in the 1950s, but serious efforts didn’t begin until 2002, Lamanna says. At that point, museum officials decided if they were going to expand the dinosaur hall — originally built for just one dinosaur — then they would also recreate a host of ecosystems in the dinosaurs’ entire world, something that few museums, if any, have ever done on such a large scale, he says. The result is a chronologically ordered series of exhibits that, upon full completion, will showcase 19 mounted dinosaurs as well as hundreds of other fossilized reptiles, mammals, birds, fish, amphibians, invertebrates and plants.
When visitors first enter Dinosaurs in Their Time, they are immediately transported 215 million years back to the Late Triassic. But instead of confronting a dinosaur, visitors are greeted by a skeleton of a phytosaur — a reptile that resembled a modern crocodile — surrounded by strange bamboo-looking vegetation. In fact, the only dinosaur in this exhibit is the small carnivorous Coelophysis depicted in the background mural and as a collection of semiarticulated bones embedded in rock, just the way Carnegie curator David Berman found them. “That’s the gist of this display. When dinosaurs first appeared, it wasn’t like they sprang full-fledged into the 80-foot-long, 30-ton animals that we’re used to seeing,” Lamanna says. “They tended to be small, and they tended to be rare.” Not only did all the species in the Triassic exhibit coexist in time, but they also coexisted in space, Lamanna says. Rather than gather a generic collection of Triassic-aged species, Lamanna wanted to display together plants and animals from the same rock unit in the American Southwest, the Chinle Group, to add to the exhibit’s authenticity. This theme is carried out through the hall’s other exhibits, including the Jurassic-aged Morrison Formation and Cretaceous-aged Hell Creek Formation exhibits. After visitors proceed into the Jurassic and weave their way through the gargantuan Apatosaurus-Allosaurus struggle, they’ll find themselves in more familiar surroundings in the hall’s Cretaceous exhibits, where visitors come face-to-face with some of the world’s earliest birds, mammals and flowering plants. For example, visitors can admire the tiny flattened skeleton of Eomaia scansoria, a primitive mouse-sized mammal from the Early Cretaceous of northeastern China, as well as a three-dimensional reconstruction of the same species scurrying along a rock face. Lamanna hopes visitors notice that a lot of modern organisms got their start in the company of dinosaurs, something most people don’t realize, he says. This fact may well be underscored in the museum’s Hell Creek Formation exhibit, which opens this spring. The centerpiece will be two Tyrannosaurus rex skeletons — one real, one cast — facing off in what Lamanna calls a “grudge match.” An idea currently being tossed around is to place these competitors in a field of bright buttercups, modern flowers for which fossil relatives have been found in the Hell Creek Formation. Throughout Dinosaurs in Their Time, a variety of interactive touchscreen computers provide visitors with a wealth of information about the biology, geological and ecological context, distribution and evolution of dinosaurs. Although the bulk of the renovation will be finished by this spring, Lamanna sees the entire dinosaur hall as “a work in progress,” something that will be updated continually as scientists learn more and more about life in the Mesozoic. If you can’t visit the museum in person, be sure to check out its Web site (www.carnegiemnh.org), which offers a cursory look at the exhibit, how it came about and what we know and don’t know about the world of the dinosaurs. Links: Book review
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